|
|
Joined: December 2006 Posts: 6268
Location: Florida Central Gulf Coast | Originally posted by AlanM:
"understandable-how-it-could-be-done."
Granted. Which just reinforces the 'slow and sweet with emotion' side of the discussion. ;) |
|
| |
|
Joined: April 2008 Posts: 1851
Location: Newington, CT | Originally posted by 2ifbyC:
Originally posted by AlanM:
"understandable-how-it-could-be-done."
Granted. Which just reinforces the 'slow and sweet with emotion' side of the discussion. ;) Agreed...but I DO know that I DO love with a passion to hear a really fast, smooth run start from some note -- low or high -- and go to a destination that works beautifully.
Sometimes, if the guitarist is skillful enough, it seems like one long note that starts in a beautiful place and ends in a beautiful place, having visited many more nice places in-between.
It's like a slow, sweet passage with a whole bunch of punctuation in the middle. And I DO love it, I truly do. |
|
| |
|
 Joined: January 2006 Posts: 2120
Location: Chicago | Over the last three years of intensive band practice and gigs I have received a very strong message from my listeners: we like the lyrical and soulful playing FAR more than technical show-offs. I've slowed WAY down and now, more often than not, take a languid solo in octaves or just look for the spaces that Matt Smith speaks of. Miles Davis was famous as an example of a beautiful silence-to-noise ratio! |
|
| |
|
Joined: November 2005 Posts: 1126
Location: Omaha, NE | Originally posted by Losov:
Originally posted by G8r:
[*] Music to me is an aural expression of feeling.
Music to me is what sounds good. I don't particularly care how or what the artist is feeling. Hear, hear! I agree completely. |
|
| |
|
Joined: April 2008 Posts: 1851
Location: Newington, CT | Originally posted by dobro:
Over the last three years of intensive band practice and gigs I have received a very strong message from my listeners: we like the lyrical and soulful playing FAR more than technical show-offs. I've slowed WAY down and now, more often than not, take a languid solo in octaves or just look for the spaces that Matt Smith speaks of. Miles Davis was famous as an example of a beautiful silence-to-noise ratio! I DID learn to defer to my betters, so I concede the point, and further concede that I probably need to get to this point in my own development. |
|
| |