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Bracing over the years

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   Forums Archive -> The Vault: 2002-2003Message format
 
SouthernOvationFan
Posted 2003-11-14 7:15 PM (#201173)
Subject: Bracing over the years


Joined:
October 2003
Posts: 5

Location: Lafayette, Louisiana
Of all the bracing patterns Ovation has used through the years, which one offer the most protection againt top warpage? I am talking about older round hole Ovations. I have seem some where the area around the sounhole has sunken some. Which Ovation roundhole models hold up the longest as far as the top staying true?
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Paul Templeman
Posted 2003-11-14 7:48 PM (#201174 - in reply to #201173)
Subject: Re: Bracing over the years


Joined:
February 2002
Posts: 5750

Location: Scotland
There's too many variables to attribute top problems to a bracing pattern. If the guitars have been maintained, stored and transported correctly, the bracing should not be an issue. I've seen problems on guitars with all bracing patterns, includng the A, but this is probably down to abuse or neglect rather than an inherent fault. Remember also that bracing has as much or more to do with controlling tone as it does maintaining structural integrity.

My 68 Balladeer has very strange bracing. It's a cross brace, but there are no tone bars, just the basic "X" and nothing else. It had a top crack repaired years before I got it. Despite this minimal bracing and 35 years of string tension the top is fine.
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Legend-LX-Fan
Posted 2003-11-14 10:38 PM (#201175 - in reply to #201173)
Subject: Re: Bracing over the years


Joined:
November 2002
Posts: 1196

Location: Lafayette, Louisiana
Paul T, would you consider the A bracing pattern as the strongest, or do you thinks all of Ovations bracing patterns are about the same when it comes to strength?
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Paul Templeman
Posted 2003-11-15 4:41 AM (#201176 - in reply to #201173)
Subject: Re: Bracing over the years


Joined:
February 2002
Posts: 5750

Location: Scotland
I have no idea, I was making the point that I have seen countless Ovations of every vintage and with every bracing pattern which have shown no signs of top problems & a handful of all patterns which have shown problems. From which I draw the conclusion that there are other factors at work, such as climate or neglect. I've seen plenty X-braced guitars of all makes with sunken & pulled tops, but that does not mean the X-brace isn't a good design.
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