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Posts: 3145
Location: Marlton, NJ | Originally posted by gh1:
'05 Collector deserves a mention.
_____
gh1 +1 |
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May 2008
Posts: 4996
Location: Phoenix AZ | Now you know why ovation doesn't just make one model. I guess it's like dogs. Everybody thinks theirs is the cutest, no matter what kind it is. |
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August 2006
Posts: 3145
Location: Marlton, NJ | Woof! |
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July 2003
Posts: 3111
Location: Nashville TN. | I really happy with my black 1719
I love how warm it sounds with silk & steel |
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March 2005
Posts: 5563
Location: Blue Ridge Mountains | Now you know why ovation doesn't just make one model. I guess it's like dogs. Everybody thinks theirs is the cutest, no matter what kind it is. And ya gotta love it!
:D :cool: |
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April 2006
Posts: 848
Location: Munich, Germany | 1651-7 Ltd. Reissue aka JL3
All the good innovations (neck, lighter bowl) combined with a good soundboard and the best bracing Ovation ever offered (for center holes). The same guitar with scalloped-X wouldn't do it, but this combination makes this the best sounding wood top Tupperware I have ever heard.
Best regards,
Kurt |
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March 2002
Posts: 15669
Location: SoCal | I agree with that combination --- ie, deep bowl and A braced. But I'd also include, hand laid cloth bowl, bone saddle and nut, the best wood possible for the top, and no electronics to get in the way or make the guitar heavier......
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Joined:
March 2002
Posts: 15669
Location: SoCal | Originally posted by Jonmark Stone:
Yeah moody, Mid depth, A braced. It's very warm and balanced but not a boomer. Smaller voice but a really nice flavor.
That's exactly how I think of my GC RI. Warm, balanced, great tone, but if I'm going to be playing an acoustic jam with a lot of Martins, it's not the guitar to bring... |
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April 2006
Posts: 848
Location: Munich, Germany | Moody, the custom way's always the best.
Yours, especially without the electronics, would be my first choice as well!
Great guitar!
Kurt |
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March 2002
Posts: 15669
Location: SoCal | Karl did the exact same configuration with one of his guitar, but did it in a sunburst. |
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May 2008
Posts: 1558
Location: Indiana | Originally posted by moody, p.i.:
but if I'm going to be playing an acoustic jam with a lot of Martins, it's not the guitar to bring... That's what my Adamas is for. It's gotta big mouth.
There sure are some pretty guitars in this thread... |
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Joined:
March 2002
Posts: 15669
Location: SoCal | Originally posted by Jonmark Stone:
Originally posted by moody, p.i.:
but if I'm going to be playing an acoustic jam with a lot of Martins, it's not the guitar to bring... That's what my Adamas is for. It's gotta big mouth.
There sure are some pretty guitars in this thread... |
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January 2006
Posts: 5881
Location: Colorado Rocky Mountains | I bought my 1651 Ltd new and played it exclusively for the next 20 years, so it has thousands of hours of play time, and it plays and sounds like only a guitar with so many hours on it can. Nonetheless, if I could have perfection, it would have a cutaway, an AD boost switch, and some abalone purfling. |
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March 2002
Posts: 15669
Location: SoCal | I was watching a recording of the Chris Isaak Show the other day with Glen Campbell on it. They had acoustic guitars that they played while they talked in the interveiw and I realized that Campbell, for about the last 15 years that I can remember, has been playing, when he's just playing straight acoustic on any show in an unplugged setting, an old black Custom Legend, with a stacked volume/tone preamp. I'm guessing it's a late 70's to early 80's guitar.
So I guess he's making his statement as to what acoustic Ovation is the best in his opinion...... |
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Joined:
February 2009
Posts: 335
Location: Reisterstown, Maryland | Originally posted by Country Artist:
I have played Ovations for over 30 years and have owned almost every model and my favorites are the "Artist" series, for many reasons.
1627 "Glen Campbell Artist"
1621 "Artist"
1624 "Country Artist"
And these are the only 3 models I still own.
:cool: And your name is CountryArtist, see how that all fits together. See how smart I is?
BTW guys, I can't seem to find a Model # FD14, is this an O?
Anita |
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September 2006
Posts: 10777
Location: Keepin' It Weird in Portland, OR | This is a Folklore Deluxe... FD14
 
Courtesy of Dave. |
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May 2008
Posts: 4996
Location: Phoenix AZ | And yes ... THAT could very well be the ultimate center hole Ovation. |
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February 2009
Posts: 194
Location: Huntington Beach | 1617 with VT8 bracing. The A bracing on the same guitar sounds "thuddy" and boxy. VT8 is more balanced and open. But it looks like I'm in the minority here. |
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March 2002
Posts: 15669
Location: SoCal | Originally posted by 1617:
1617 with VT8 bracing. The A bracing on the same guitar sounds "thuddy" and boxy. VT8 is more balanced and open. But it looks like I'm in the minority here. 1617, one of the great things about this board is that there are as many opinions on what the perfect sound is as there are members, and they are all correct. I may not agree with you, but my opinion shouldn't mean squat to your ears..... |
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February 2009
Posts: 335
Location: Reisterstown, Maryland | Thank you OMA, what a gorgous O.
I'm drooling again, I think I may have to change my online name.......
Anita |
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April 2009
Posts: 27
Location: southeast michigan | I love my model 1869 custom legend ssb! |
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June 2007
Posts: 3084
Location: Brisbane Australia | While I own several fantastic Adamas guitars, until recently I did not own a centre hole Ovation.
I was lucky enough to stumble on to a mint 1651 John Lennon reissue here in Oz.
What a fantastic guitar as has been lauded in a previous post.
There was a nice Pacemaker 12st for sale here recently and didn't need a 12.
I know it would have been a killer.
So I'm a "keepin me eye out"
Custom Legend, GC ?????????
AJ |
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November 2008
Posts: 1119
Location: Michigan | For me personally I am overwhelmed by the sound out of my K1115. Even with poof strings. I can't help but wonder how nice the 1680 would be. It seems like the perfect match of everything in a guitar, alas perfect except for the price :) . |
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March 2008
Posts: 2683
Location: Hot Springs, S.D. | Lots of opinions here, and lots of beautiful guitars, but I don't think there is any way to pick a "best model". I say that because when I was inspecting guitars in Moosup, I had played thousands of Legends, and although they all sounded good, only two of them stand out as "the best I ever heard". The first one was a natural that just had more depth and volume than any other O I had come across. I put it aside on my workbench for a while 'til I could afford to buy it. Well, for many reasons at the time, I COULDN'T afford it, so my buddy Glenn at the next workbench bought it instead. The second one to catch my attention was the black one I have talked about so many times here. (Pictures on the ning site.)
So what I'm saying is, while all ovations have a great sound, and the fiberglass bowl is consistant, the top is made of wood, and there can be a HUGE difference in sound between consecutive serial numbers.
Now that I have that 2077LX, I can tell you that I compared it to my old Legend. TOTALLY different sound. And I honestly couldn't tell you which I like better. One is deep and rich, the other bright and clear. So what'll I do? Keep them both, play them both, and love them both! |
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Joined:
March 2002
Posts: 15669
Location: SoCal | This may be one of the most interesting posts of the year. People talk about how consistant all Ovations are, and here's somebody who's probably played more of them than anybody here, who says no they are not. The wood and the top is THAT important.
I find that very interesting and I'm surprised that nobody else here has commented on it.
And I agree..... |
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What Is The Ultimate Centre Hole Ovation ?
