|
|
Joined:
April 2006
Posts: 2491
Location: Copenhagen Denmark | How often do You use the E minor 7th add 11 Chord ,every song ,or after 2 beers :confused: ,and no ,I do n`t think it`s worth a poll :D |
|
| |
|
Joined:
December 2005
Posts: 1234
Location: Tidal Mudflats of Virginia | Which finger is add 11th? Is that the pinky on the 5th or 6th fret of the high E string? |
|
| |
|
Joined:
November 2003
Posts: 11039
Location: Earth·SolarSystem·LocalInterstellarCloud·Local Bub | Hey Moody, How often do you use the Em7add11 (first position) |
|
| |
|
Joined:
March 2004
Posts: 629
Location: Houston, Texas | Uhh, you gotta tab of that?
No, wait, I don't want you to get sued by the music industry execs. :eek: :rolleyes: |
|
| |
|
Joined:
April 2004
Posts: 13303
Location: Latitude 39.56819, Longitude -105.080066 | If its got more than 1 Capital Letter, 1 small letter and 1 number it ain't a real chord! |
|
| |
|
Joined:
July 2006
Posts: 171
Location: Oregon | I looked this up and apparently it's strumming the guitar open. I use this all the time between hard chords. |
|
| |
|
Joined:
December 2004
Posts: 370
Location: Isle of Man, UK | If it's strumming all strings open then I use it:- Too often.
Usually during rockabilly solo's where I've lost my way! Turn on the crunchy channel, let go all strings with the left hand, give a big sweep with the right, reach over and waggle that bigsby-style trem like crazy with the left.
"Dude, that thing you did in the middle of that solo was awesome. Maaan - left handed whammy, Cool."
It's amazing what you can get away with when you're playing in a bar late on a Friday night!
JB |
|
| |
|
Joined:
August 2005
Posts: 616
Location: cincinnati, ohio | Originally posted by 72tour:
I looked this up and apparently it's strumming the guitar open.
Oh, is thatwhat it's called? I have an original name for it: E minor open (deep, huh?). I use that all the time when I'm giving my arthritic fingers a chance to form more complicated chords-- like "D!" I'm in good company, though-- Pete Townshend and John Lennon used it all the time. |
|
| |
|
Joined:
January 2006
Posts: 5881
Location: Colorado Rocky Mountains | John Denver's Calypso has a huge Em7+11 strum between the verse and chorus. Can't recall any others at this early morning moment. |
|
| |
|
Joined:
April 2006
Posts: 1138
Location: CT | Every chord I don't know the name to is a mistake. I play them often. |
|
| |
|
Joined:
March 2002
Posts: 15677
Location: SoCal | When I play, there are no mistaken notes.... just "other" notes..... |
|
| |
|
Joined:
November 2005
Posts: 4832
Location: Campbell River, British Columbia | Mainly to start a certain Beatles song.....or, like, whenever....y'know? |
|
| |
|
Joined:
July 2006
Posts: 171
Location: Oregon | Originally posted by moody, p.i.:
When I play, there are no mistaken notes.... just "other" notes..... That right there is one of the best musical quotes ever. |
|
| |
|
Joined:
December 2004
Posts: 1116
Location: Keller, TX | I usually just use WD40. |
|
| |
|
Joined:
December 2001
Posts: 7236
Location: The Great Pacific Northwest | Mildly related...
I noticed that on the RockStar SuperNova the guy Lucas played an Acoustic version of his Original song. Now I didn't think much of the song but what I found clever was as it was only one song that he had to sing, it seems he tuned the guitar to the main chord. Open strum = main chord. Then the other two or three chords only involved holding a few strings on the higher frets, barred. I couldn't see what exactly he was doing, other than there was no real "finger position" as such involved. Looked like he barred the last three strings on the 5th and 7th frets and the 3rd chord was just open. This made the whole singing playing thing really easy and just made the whole thing more visually appealing too. Of course the power of the main verse chord being an open strum didn't hurt either. Like I said, clever trick worth trying. |
|
| |
|
Joined:
March 2004
Posts: 629
Location: Houston, Texas | Kind of like that "Bad to the Bone" idiot, something Thoroughgood, only without the slide? |
|
| |
|
Joined:
April 2006
Posts: 2491
Location: Copenhagen Denmark | Now we `re getting somewhere ( thanks to Mr,Ovation )" Why do n`t we do it on the guitar " ..free after` the Beatles`..experimentation and just a li`ll bit a knowledge,and lots o`luck & exposure ,Y`see , all them people who became famous early on,such as Hank Marvin from The Shadows were n`t "class A " guitar pickers, but they utilised what they had (Okay ,Allright, throw it at me,I know I had it comin `)and they knew the right people,point is..U never know what way a dime rolls ,will "they" throw shoes :rolleyes: or lots o`fame .. :cool: or money :D :D |
|
| |
|
Joined:
July 2006
Posts: 171
Location: Oregon | Yeah he was just in some kind of slide tuning. I don't think much of it if you're not using a slide. Doesn't sound that great to me for some reason.
My favorite slide song by the way by Bukka White. http://www.youtube.com/watch?v=bsMpHHSLSlc |
|
| |
|
Joined:
December 2001
Posts: 7236
Location: The Great Pacific Northwest | Ok, well I just did a fun experiment. 40+ years on and off of playing and the A-Retent side of me never thought of "alternate tuning". I play slide in standard tuning, 12-Strings tuned the same as 6-string etc...
Anyway, I took out the trusty Elite-T and tuned so that an open strum = E. Well how fun. Lay a finger across the strings and instant barre chord. Hmmm play only a few strings, hold only a few strings.. Ok.. it's extremly limiting, but at the same time kinda fun.
I think tomorrow I'll try this again, but add the G-Band into the mix.
Favorite slide lick... Easy Like Sunday Morning or any slide work by Joe Walsh or Bonnie Raitt |
|
| |
|
Joined:
August 2003
Posts: 430
Location: Lebanon, TN | Open tunings of all kinds are fun but as you say "limiting" unless you are sat in them all the time to play stuff. Joni Mitchell was/is a great user of them on the guitar. In fact the first thing I ever learned in Open E was "Big Yellow Taxi" which is way more fun to play in that tuning than anything else. I found out from that there are a few "standard" chord shapes to give you A & B without using straight Barre at the fith and seventh fret. That just looks lazy when people do it unless they are adding lots of flourishes or using slide.
When I had it I used to keep the Melissa MEWP sat in Open E for alternative inspiration when writing and occasionally would do DADAAD too which is a great drone tuning for my Scottish folk nonsense :-) |
|
| |
|
Joined:
December 2005
Posts: 109
Location: Alabama | I believe there was a siger/somgwriter who used to host a show on mtv back when there was the occasional musical act still on named Jules Shear or Shearer who played like that only he used his thumb to barre the strings. He had Neil Young, Elvis Costello and other folks on and he would do duets with backing vocals. I thought it looked very strange, but he always sounded good. |
|
| |
|
Joined:
April 2006
Posts: 1017
Location: Budd Lake, NJ | I actually use it as G/A, normally in chord progressions with G/A - A - D. It does add a kind of celtic sound in regular tuning. When I play in DADGAD, though, I'm too busy trying to remember where the chords are to worry much about how they're named!
(That's what I need--another SS-bowl to keep tuned there for emergency celtic interpretations.....)
--Karen and the crew
Gertrude, Jewel, Blanca, "Nonnie," Ivory, Sugar, Plink, Twang and Shriek |
|
| |
|
Joined:
March 2005
Posts: 12759
Location: Boise, Idaho | After I bring back the Custom Balladeer from the cabin this weekend, I will use it for alternate tunings. At least that was one rationale for having so many guitars. |
|
| |
|
Joined:
November 2005
Posts: 1126
Location: Omaha, NE | I've got a CD of Willie Nelson and Johnny Cash playing during their VH1 "Unplugged" concert. They are tossing ideas back and forth, and they left in the "between song" banter. At one point, Nelson is explaining the progression of some song. Cash asks what that chord is.
W : "We go from the E to the F#m"
C : "That's an F#m"
W: "Yeah"
C : "I figured it was. I'll just look at my watch during that one." |
|
| |
|
Joined:
November 2005
Posts: 1126
Location: Omaha, NE | I've got a number of fingerstyle pieces that I play in alternate tunings. They work, but they are kindof a pain. I hate having to retune back and forth. I guess I need more guitars?!
The real problem with them is that for someone with my limited experience, the chord formations are completely foreign. It makes learning new fingerstyle stuff pretty hard, because you can't automatically understand what is going on musically. In standard tuning, you can generally track the changes. In something wierd (like DGDGBD) its not all that obvious. |
|
| |
Em7add11.....How often do you use it ?
