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Ahh ! Intonation. Over to you Mr Pythagoras!
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Forums Archive -> The Vault: 2008 | Message format |
Captain Black |
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Joined: June 2007 Posts: 270 Location: Yorkshire, England | Pythagoras discovered the ratios of frequencies that make up the musical scale - Pressing down on a vibrating string at its centre, obviously making it 1/2 as long, plays a note an octave higher than the full string did and vibrates twice as fast. Now, instead of holding the string in the centre, let's hold it so that it is 2/3 it's original length. The string now plays a 5th higher than the original note. The string is vibrating 3/2 as fast as it was originally. You may know that when you have gone up a 5th, then a 4th from there, you will have gone up an octave - Lets see if that works ! Up a 5th =3/2, up a 4th = (3/2(4/3)=2 Which is an octave. BUT!! There's a flaw in this musical scale -Let's start going up a 5th until we find another C - that is C-G-D-A-E-B-F#-C#-G#-D#-A#-F-C This C vibrates vibrates (3/2) to the twelfth power faster than the original C. You will all no doubt now have guessed (those of us familiar with calculus, that is) what has gone wrong. Yes, you've got it - this C is not an even number of octaves above our original C ! But it is close! Instead of vibrating 128 times as fast (7 octaves higher) it vibrates (as you all may be able to work out) 129.7463379 times as fast ! It is obvious to the ear that these notes are both not C ! As you will also be able to see, F# is not the same as Gb (going down from C) for the same reason. I hope you've all been taking this, in as I'll be asking questions later. | ||
stephent28 |
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Joined: April 2004 Posts: 13303 Location: Latitude 39.56819, Longitude -105.080066 | Didn't you post this up in the "For Sale" section about 2 weeks ago? | ||
Captain Black |
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Joined: June 2007 Posts: 270 Location: Yorkshire, England | Nope ! This is something completely different. | ||
stephent28 |
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Joined: April 2004 Posts: 13303 Location: Latitude 39.56819, Longitude -105.080066 | Damn, guess I'm gonna have to read it then ;) | ||
Captain Black |
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Joined: June 2007 Posts: 270 Location: Yorkshire, England | Go On ! Enjoy !!! | ||
ozwatto |
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Joined: January 2007 Posts: 672 Location: New South Wales, Australia | Mathematics was never my strong point. Wasn't Pythagoras a Greek soccer player? Wonder if he played guitar? | ||
bauerhillboy |
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Joined: February 2004 Posts: 1634 Location: Warren,Pa. | Stopping the string at the 12th fret doesn't make it half the length of the open string...because you are STRETCHING the string down to the fingerboard. That "half" is slightly longer than half. I truly wish my ears didn't pick up on this, but they do. Acceptable intonation is harder for some of us to achieve than it is for others. John <>{ | ||
Old Man Arthur |
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Joined: September 2006 Posts: 10777 Location: Keepin' It Weird in Portland, OR | Originally posted by Captain Black: I forgot my Slide-Rule...You will all no doubt now have guessed (those of us familiar with calculus, that is) what has gone wrong. Yes, you've got it - this C is not an even number of octaves above our original C ! But it is close! Instead of vibrating 128 times as fast (7 octaves higher) it vibrates (as you all may be able to work out) 129.7463379 times as fast! I hope you've all been taking this, in as I'll be asking questions later. | ||
Capo Guy |
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Joined: December 2004 Posts: 4394 Location: East Tennessee | Wasn't there a brand of guitar where the frets aren't parallel to each other to compensate for this? | ||
Waskel |
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Joined: February 2005 Posts: 11840 Location: closely held secret | Novax | ||
Alex78 |
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Joined: September 2008 Posts: 20 | Seems to me that this guitar has a different scale for each string, you don't really need SO much difference... | ||
Alex78 |
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Joined: September 2008 Posts: 20 | Originally posted by Captain Black: This was true until the end of the XVIIth century, but since the "temperate" system was intruduced, they are the same note. Same value of pulsation, ask Bach!As you will also be able to see, F# is not the same as Gb (going down from C) for the same reason. | ||
Gallerinski |
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Joined: May 2008 Posts: 4996 Location: Phoenix AZ | That guitar needs some Marcel Dadi epaulets | ||
Weaser P |
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Joined: October 2005 Posts: 5330 Location: Cicero, NY | Didn't T28 have a git with compensating frets? Someone around these parts did... | ||
Waskel |
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Joined: February 2005 Posts: 11840 Location: closely held secret | No, he frets about compensating. | ||
Weaser P |
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Joined: October 2005 Posts: 5330 Location: Cicero, NY | AHH! I knew it was something along those lines. | ||
dobro |
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Joined: January 2006 Posts: 2120 Location: Chicago | I've never been able to "hear" very well the difference between "well tempered" and "equal tempered" tuning on a keyboard. Never even got near a "mean tempered" or "Pythagorean". I hear they bite. | ||
Waskel |
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Joined: February 2005 Posts: 11840 Location: closely held secret | Try to avoid the ill-tempered ones. And don't worry, "Pythagoreans" don't bite. They just wrap themselves around your brain until it explodes. | ||
Old Man Arthur |
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Joined: September 2006 Posts: 10777 Location: Keepin' It Weird in Portland, OR | And! For those of us who don't have enough problems playing the guitars we got! :p I guess you don't really do chords on this one.[8-string Novax $3.3K] | ||
Jewel's Mom a/k/a Joisey Goil #1 |
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Joined: April 2006 Posts: 1017 Location: Budd Lake, NJ | I'm with you, Bauerhill-- I can hear the differences, too; that's how I know when one of the girls needs tweaking a bit--when I really can't stand it. Hmmmmm......ghosts of mathematics past coming back to haunt me. Out, out, lousy ghosts!! But wait--wasn't a pythagorus a dinosaur that used to wrap itself around its prey and crush it? --Karen | ||
sycamore |
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Joined: March 2007 Posts: 698 Location: Cork, Ireland | Gets interesting when you play harmonica and guitar together as different harmonicas (even different diatonic ones) use different intonation systems. Checking both against an electronic tuner doesn't always work, you have to tune the guitar to the harp (as the latter are rather hard to tune on the fly) http://www.patmissin.com/tunings/tun5.html | ||
an4340 |
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Joined: May 2003 Posts: 4389 Location: Capital District, NY, USA Minor Outlying Islands | Some people worry too much about being in tune. Basically, when it comes down to it, as long as my adamas' on board tuner says its tune, the guitar's good to go for about an hour of flogging, then I'll hear a little something, then put it back in the green. PS I always thought that F# was the same G flat? Just like A# was the same as Bflat. I'm no expert, but it might just be because I'm stuck in the world of the guitar fret board. | ||
an4340 |
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Joined: May 2003 Posts: 4389 Location: Capital District, NY, USA Minor Outlying Islands | I got to play a bass in david gage's shop in soho. As I recall, it was made in the early 1600's. The first person to play it was a contempory of shakespeare. To think that to this person, shakespeare was new ... It was made before the days of tempered tuning. It had an awesomely broad sound. of course, there were no frets .... If you guys ever get to NYC you should set up a tour. Just call in advance, and they show you around, and you try out the basses. Their luthier shop is top drawer, and top dollar. | ||
Omaha |
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Joined: November 2005 Posts: 1126 Location: Omaha, NE | The most important thing to remember from a guitar player's perspective is that there is no such thing as an "in tune" guitar, only an "in tune" player. All tuning systems are compromises. Its up to the player to make it work. | ||
Waskel |
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Joined: February 2005 Posts: 11840 Location: closely held secret | Originally posted by Omaha: Well, I'm in trouble then...The most important thing to remember from a guitar player's perspective is that there is no such thing as an "in tune" guitar, only an "in tune" player. | ||
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