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Forums Archive -> The Vault: 2008 | Message format |
bvince![]() |
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Joined: September 2005 Posts: 3619 Location: GATLINBURG TENNESSEE :) | Speaking of thumbs in the last post, it made me wonder ... How many of you use your thumbs to play chords? | ||
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Trader Jim![]() |
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Joined: June 2006 Posts: 7307 Location: South of most, North of few | I've been told I'm all thumbs | ||
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dobro![]() |
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Joined: January 2006 Posts: 2120 Location: Chicago | I am a hardcore hybrid picker: My pick (thumb and first) interacts constantly with the other three on my left hand. The pinky is BUSY. | ||
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Weaser P![]() |
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Joined: October 2005 Posts: 5331 Location: Cicero, NY | I've been told I'm all hangnails. I'd take thumbs. | ||
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Beal![]() |
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Joined: January 2002 Posts: 14127 Location: 6 String Ranch | sometimes | ||
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2ifbyC![]() |
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Joined: December 2006 Posts: 6268 Location: Florida Central Gulf Coast | I'm a die hard right handed thumb strummer. If the neck is slim enough, I'll use my left thumb when I can for chords (not often due to small hands). | ||
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GaryB![]() |
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Joined: August 2007 Posts: 494 Location: Location Location Location | I like grabbing the low F# of the D7 chord with my thumb. Makes for a nice change from the G chord to D7. | ||
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alpep![]() |
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Joined: December 2001 Posts: 10583 Location: NJ | for effect only. I can't get to use my thumb on my left hand for fretting over the neck my teacher would roll over in his grave. | ||
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Mark in Boise![]() |
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Joined: March 2005 Posts: 12759 Location: Boise, Idaho | I think I use a thumb on one song, but not for a chord. I'm assuming you're talking about the left one. | ||
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an4340![]() |
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Joined: May 2003 Posts: 4389 Location: Capital District, NY, USA Minor Outlying Islands | I try to use it for bo diddley rhythyms to mute the e and a strings, but since I've moved on from my 1 and 5/8's inch necks I only mute the e. | ||
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2ifbyC![]() |
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Joined: December 2006 Posts: 6268 Location: Florida Central Gulf Coast | Originally posted by alpep: Classical...?...my teacher | ||
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Damon67![]() |
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Joined: December 2006 Posts: 6995 Location: Jet City | Originally posted by alpep: +1 for effect only. I can't get to use my thumb on my left hand for fretting over the neck my teacher would roll over in his grave. I think we had the same teacher. | ||
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TAFKAR![]() |
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Joined: April 2008 Posts: 2985 Location: Sydney, Australia | Well, classical teachers would say that. Not much point trying to wrap your thumb around a 2" neck. Also, classical teachers want the thumb in the middle of the neck to free up the fingers to move individually. However, when the left hand is basically holding down one chord, then the thumb is useful there. I can only make use of it on the second fret (F#) and only when I'm picking out that note. No one notices the difference between a D/F# and a D when you are strumming. | ||
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muzza![]() |
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![]() Joined: August 2005 Posts: 3736 Location: Sunshine State, Australia | I just started doing that this year, though so far, only on one song. On 'out on the weekend', Neil Young uses his thumb for the chords in the bit that starts "See the lonely boy". I'd been trying to work out the chords for that section for decades - it never sounded right. Then along came YouTube... | ||
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Damon67![]() |
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Joined: December 2006 Posts: 6995 Location: Jet City | Originally posted by The Artist (FKA Richard): I notice it, but again, I don't use my thumb. I think the bass note is more important than the high E string in most instances, so I'll finger it with my index on the F# (2nd fret 6th string), middle finger on A (2nd fret 3rd string), ring finger on D (3rd fret 2nd string), and omit the high E string all together. No one notices the difference between a D/F# and a D when you are strumming. As for the whole classical teaching thing, I was told that Eddie Van Halen did it that way, so that's how I did it too. Of course, it was a classical guitar teacher that told me this ;) Really though, if you have ever been or tried to be a "shredder", it's the same techniques as classical for the most part. | ||
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sycamore![]() |
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Joined: March 2007 Posts: 698 Location: Cork, Ireland | Yes (a) to play an F# note on D & D7 chords as above (sometimes with a hammer-on) (b) mute the 6th string where appropriate and (b) to fret the 6th string when playing a 'wraparound' version of 'barred' E chord shapes (as I've never mastered proper barre chords). | ||
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Captain Lovehandles![]() |
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Joined: July 2005 Posts: 3410 Location: GA USA | I'll have to try (a). | ||
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ProfessorBB![]() |
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Joined: January 2006 Posts: 5881 Location: Colorado Rocky Mountains | Same as others . . . to hit the F# on the D chords when called for. | ||
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moody, p.i.![]() |
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Joined: March 2002 Posts: 15676 Location: SoCal | I use it for the F#, as well as for the F in an F chord. If I'm playing full chords up the neck, sometimes I'll just grab the whole chord with my thumb catching the bass note. Depends on what I'm doing and where I'm going next..... | ||
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Mark in Boise![]() |
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Joined: March 2005 Posts: 12759 Location: Boise, Idaho | You guys had teachers? No wonder you're so good. I took Mark's DIY golf and guitar courses. On either, I never play the same way twice. | ||
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cpotter73![]() |
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Joined: September 2008 Posts: 42 Location: Crossville, TN | Same here with the F# over D, I think I learned it the 1st time from the Young Brothers in AC/DC, and I use it in a couple other songs like collective soul's The World I Know if I'm playing the Rhythm part. I think it adds a nice sound to certain songs. | ||
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Beal![]() |
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Joined: January 2002 Posts: 14127 Location: 6 String Ranch | I use it more playing college chords. Or for the partial 7th chords in blues, like G7 would be 3x343x | ||
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alpep![]() |
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Joined: December 2001 Posts: 10583 Location: NJ | Originally posted by 2ifbyC: my teacher was a classical guitarist and he got me into many very good habits. Originally posted by alpep: Classical...? ...my teacher I was a young punk rocker who wanted no parts of the classical or jazz world yet was determined to show him that I could play and learn the scales, chords etc that he required while using correct positioning etc. On occasion, I have had someone come up to me and ask if I studied classical guitar because they recognize tell tale signs of that in my technique. You really have to know what you are looking for though. some of the things left thumb in the middle of the neck. playing with a closed right hand. holding the neck up high so your elbow rests perpandicular to the neck. strumming and picking coming from the elbow and NOT from the wrist. conservation of right and left hand movement. now don't me wrong I don't have flawless technique, I just picked up many good habits that stuck with me | ||
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Damon67![]() |
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Joined: December 2006 Posts: 6995 Location: Jet City | Our stories are almost identical Al. Scary Must be why my V looked so comfortable in your hands... ![]() ![]() | ||
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Mark in Boise![]() |
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Joined: March 2005 Posts: 12759 Location: Boise, Idaho | I thought he was sleepy. That reminds me. What ever happened to all that video? | ||
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