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| Random quote: "Ovation Guitars really don't get the respect they deserve!" - Alex Pepiak |
Gretsch + Vox + Beatles = fun
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| ProfessorBB |
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Joined: January 2006 Posts: 5881 Location: Colorado Rocky Mountains | After listening for a few weeks to my new Beatles master mono collection, I spent three hours last night playing a vintage Gretsch Country Gentleman through a Vox AC30 and tinkering with all the adjustments on both guitar and amp to see how close I could come to replicating some of their sound. Of course, I don’t believe I came very close at all, except maybe Day Tripper. Regardless, I know that Beatles music doesn’t appeal to everybody, but I sure had fun trying to play it. | ||
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| stonebobbo |
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Joined: August 2002 Posts: 8307 Location: Tennessee | Try playing the lead to "All My Loving". Bet you can nail that sound! Then try "Do You Want To Know A Secret". Got that classic George sound from the early days. :cool: | ||
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| ProfessorBB |
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Joined: January 2006 Posts: 5881 Location: Colorado Rocky Mountains | Yep, those two songs for sure. The jangly sound from John's rhythm guitar on All My loving is also emphasized using the bright setting on a Janglebox pedal. | ||
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| scooterboy |
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Joined: April 2008 Posts: 288 Location: New Hampshire, USA | Originally posted by ProfessorBB: And those triplets he plays are much trickier to keep up with than the solo.Yep, those two songs for sure. The jangly sound from John's rhythm guitar on All My loving is also emphasized using the bright setting on a Janglebox pedal. | ||
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| stonebobbo |
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Joined: August 2002 Posts: 8307 Location: Tennessee | Need a Rick 325 to nail John's sound on that song. You won't get it from that Gretsch. | ||
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| moody, p.i. |
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Joined: March 2002 Posts: 15680 Location: SoCal | Here's how you play like Lennon.... http://www.youtube.com/watch?v=nFRsUydn2w4 | ||
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| BT717 |
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Joined: October 2007 Posts: 2711 Location: Vernon CT | Interesting Video. Such a young guy who really appears to know his "Lennon" | ||
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| 2ifbyC |
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| Joined: December 2006 Posts: 6268 Location: Florida Central Gulf Coast | Originally posted by stonebobbo: When I want a Rik fix, I check out Buddy\'s collection. Need a Rick 325 to nail John's sound on that song. Not bad for a drummer. Plus he normally brings the Rik to the 'front'. | ||
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| kotadawg |
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Joined: November 2007 Posts: 1486 Location: Cincinnati | Originally posted by 2ifbyC: I just take mine out of their cases. Originally posted by stonebobbo: When I want a Rik fix, I check out Buddy\'s collection Need a Rick 325 to nail John's sound on that song. ![]() | ||
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| 2ifbyC |
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| Joined: December 2006 Posts: 6268 Location: Florida Central Gulf Coast | Jack, Where's your 360/12 OS? | ||
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| kotadawg |
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Joined: November 2007 Posts: 1486 Location: Cincinnati | Originally posted by 2ifbyC: It's a few light years away with the Ric acoustic. There was a very nice 360/12 WB on ebay for a great price a few days ago, but I managed to restrain myself.Jack, Where's your 360/12 OS? | ||
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| stonebobbo |
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Joined: August 2002 Posts: 8307 Location: Tennessee | I had a 360/12V64 in JetGlo for quite a while. Ended up selling it when the value reached double my purchase cost. I found the nut width was just too narrow for my liking. A 660/12 in AmberGlo is on my short list, but for the time being my Deacon 12 is satisfying my need for 12 string jangle on a much more playable neck. But I do miss the unique sound from the Ricky 12 stringing method and can't figure any way for the Deacon12 to work. Glad to see the VP option on the BlueBoy, Jack. I'm not a fan of the hi-gain pickups. | ||
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| kotadawg |
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Joined: November 2007 Posts: 1486 Location: Cincinnati | Originally posted by stonebobbo: The VP and the high gains are 2 different animals. Actually the color is BlueBurst, the 2005 COY. Blueboy is a light blue. I'd love to get a 660/12 or 6. Glad to see the VP option on the BlueBoy, Jack. I'm not a fan of the hi-gain pickups. Anybody ever play or hear a Ric acoustic live? | ||
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| stonebobbo |
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Joined: August 2002 Posts: 8307 Location: Tennessee | Yeah, I was on the prowl for a Ric acoustic for a while. I finally found one in a shop in LA a few years back. I believe it was the Shiloh model... Spruce on rosewood. The checkerboard binding is real cool. Like all things Ric, the build quality was excellent. But to me, that particular guitar was really tight. Kinda like trying to talk while holding your breath. I decided not to buy it. It was a lot of money. It may have just been that one guitar. Someone told me later the maple ones were the ones to get. Of course, their mystique probably would have made it a good investment. Last I heard, Ric decided not to build acoustics anymore. I imagine finding one for sale would be pretty tough these days. | ||
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| kotadawg |
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Joined: November 2007 Posts: 1486 Location: Cincinnati | Originally posted by stonebobbo: Actually one of their employees makes them under RIC license. You can get a jumbo or a dred, all hand built, whatever finish you want, etc, and it will run you about $6k. The used ones that I've seen have been around $5k. One went for $3600 a few months ago, but the seller had 2 of them and had ordered a third, so he was a little desparate to get rid of it. If you're interested I can forward you the link Paul sent me that shows a lot of his guitars and how he builds them.Yeah, I was on the prowl for a Ric acoustic for a while. I finally found one in a shop in LA a few years back. I believe it was the Shiloh model... Spruce on rosewood. The checkerboard binding is real cool. Like all things Ric, the build quality was excellent. But to me, that particular guitar was really tight. Kinda like trying to talk while holding your breath. I decided not to buy it. It was a lot of money. It may have just been that one guitar. Someone told me later the maple ones were the ones to get. Of course, their mystique probably would have made it a good investment. Last I heard, Ric decided not to build acoustics anymore. I imagine finding one for sale would be pretty tough these days. | ||
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Gretsch + Vox + Beatles = fun