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Working on some chords...
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| AlanM |
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Joined: April 2008 Posts: 1851 Location: Newington, CT | I've identified some very nice chords recently. First a little background: As some of you probably know, I like to do some leads along with a nice backing track. Well, if you pay some attention to the notes you use from string to string, you can construct some nice chords from those observations. They weren't like the usual chords that I was playing, so they have proven difficult for me, but my transitions are improving day-by-day. I don't know a lot about music theory, so I'll give you my best guess as to what the chord is. They're mostly chords that can be used up and down the fretboard, so my assessment (really: guess) of what the chord actually is depends on the fretboard position indicated. In this case, as you'll see if you try them, I've centered most of these around the 7th fret, but they can move. So, without further ado, here are the chords that I've uncovered this way recently, and that I'm practicing now. I'd be grateful if someone more knowledgeable than I could tell me what each one is. Chord 1 -- Some variation of F?) 7 6 5 7 0 x Chord 2: Some kind of A7th?) 7 8 6 7 0 x Chord 3 - Inspired by Allman Bros.- In Memory of Elizabeth Reed - variation of Em?) 7 8 9 10 x x Chord 4 -- some kind of B flat?) 7 6 7 8 x x Chords 5 -- Gmaj - moves very nicely up and down the fretboard.) 7 8 7 9 x x Chord 6 - Nice Chord! Not sure what it is.) 7 5 6 7 x x Chord 7 - Nice Chord! Not sure what it is.) 7 5 6 8 0 x Chord 8 - Nice Chord! Not sure what it is, but it's the same as the "variation of Em," above, but the index and middle fingers swap strings.) 7 6 8 9 x x Chord 9 - Am) 12 10 9 10 0 x or... Same thing as Chord 9, with the High E open) 0 10 9 10 0 x | ||
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| Darkbar |
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Joined: January 2009 Posts: 4536 Location: Flahdaw | Try this... 2 10 6 12 8 3 Call us when your hand rips apart. (oh, btw...that's an Em dim7 to the 9th quartile) | ||
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| Paul Templeman |
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Joined: February 2002 Posts: 5750 Location: Scotland | Try these: 1) Am6 add9 (no third) 2) A7 add9 (no fifth) 3) Cmaj7 4) G but contains both a major and minor third (B & Bb) Probably only works as a passing chord 5) Gmaj 6) A add9 7) As chord 6 but now contains an A# so A and A# (plus the B) together will make it dischordant, so again a passing chord only 8) C add11 9 & 10) Am | ||
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| Beal |
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Joined: January 2002 Posts: 14127 Location: 6 String Ranch | jguitar.com | ||
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| Paul Templeman |
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Joined: February 2002 Posts: 5750 Location: Scotland | typo #1 should be no fifth, not no third | ||
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| ProfessorBB |
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Joined: January 2006 Posts: 5881 Location: Colorado Rocky Mountains | What Beal said. This stuff can get crazy. For example, using the chord namer in the dropdown menu appearing on the left side of the website homepage, I plugged in your first chord and the following results came up: Asus2add#9addb13 A Suspended 2nd Add Sharp 9th Add Flat 13th Asus2#5add#9 A Suspended 2nd Sharp 5th Add Sharp 9th Amaddb13add9 A Minor Add Flat 13th Add 9th Amaddb13add2 A Minor Add Flat 13th Add 2nd Am#5add9 A Minor Sharp 5th Add 9th Am#5add2 A Minor Sharp 5th Add 2nd CM13sus4/A C/A Major 13th Suspended 4th | ||
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| Beal |
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Joined: January 2002 Posts: 14127 Location: 6 String Ranch | Of course you should list them sideways, so there's no question about which is the high string and which is Bass. Going verticle you start with the bass to treble, but it looks like you did it the other way. 76570x is B+add#9 78670x is Bdim7 78910xx doesn't exist so they got to be backwards | ||
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| Old Man Arthur |
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Joined: September 2006 Posts: 10777 Location: Keepin' It Weird in Portland, OR | If you are going by TAB, high string is the top... Like you are looking down at the strings while holding the guitar. e B G D A E | ||
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| AlanM |
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Joined: April 2008 Posts: 1851 Location: Newington, CT | Thanks, all, for the responses...and for catching that I wrote those tabs upside down! Huge apologies for that. Oh, DB, I tried your Em dim7 to the 9th quartile. Worked out ok. I have kinda mondo hands... Just kidding! My hands ARE mondo...just not quite THAT mondo! So, has anyone tried them? Does anyone use any of them regularly? I'm doing my best transitions with #'s 1,3,9,10. Though 9 and 10 are easy, since they're just regular chords I'm already familiar with moved up the fretboard. | ||
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| G8r |
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Joined: November 2006 Posts: 3969 | Just keep playing variations on E7#9sus4 | ||
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| Damon67 |
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Joined: December 2006 Posts: 6996 Location: Jet City | if you have an iPhone, there's an app for this Guitar Toolkit It's the very best tool I've ever owned. Not only does it have a half million chords built in (for 6/7/12 string guitar, 4/5/6 string bass. banjo, mandolin, and uke), but you can place the dots on the fretboard and it will tell you what chord it is. It has a built in metronome, scales, and a tuner that works better than most I own. Again, these features work across the board on all the above listed instruments. I looked long and hard at different apps, and this one was by far the most robust. Unfortunately for Android users it's only available on iPhone. http://www.agilepartners.com/apps/guitartoolkit/ | ||
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| AlanM |
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Joined: April 2008 Posts: 1851 Location: Newington, CT | Nice! I liked jguitar.com a lot too. | ||
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| Beal |
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Joined: January 2002 Posts: 14127 Location: 6 String Ranch | I use that one all the time when I'm stumped. I guess OMA says you were listing them right. must have been the jet A fumes..... | ||
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| Darkbar |
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Joined: January 2009 Posts: 4536 Location: Flahdaw | Originally posted by Beal: Yeah, but what about the OMA fumes?I guess OMA says you were listing them right. must have been the jet A fumes..... | ||
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Working on some chords...